A Laurent de Brunhoff drawing of Babar and Arthur in the Morgan Library & Museum’s exhibition, "Drawing Babar: Early Drafts and Watercolors."

I've had a like-dislike relationship with Babar books since I first became aware of just what colonialism entails, and our nation's history with it. Casual readers of children's books may miss the political overtones of many of the books they read their children, but stories about a civilized, suit-wearing foreign king ruling over a nation of unenlightened monkeys is kind of hard to miss.
Thankfully, Adam Gopnick has written an essay for a new exhibition of the drawings of Babar's creators, Jean and Laurent de Brunhoff, that gives me the chance to revisit them with fresh eyes. From the
New York Times:
The saga is not an "unconscious instance of the French colonial imagination," Mr. Gopnik writes, "it is a self-conscious comedy about the French colonial imagination." Jean de Brunhoff knew precisely what he was doing. Invoking the colonial world of the 1930s and France's mission of civilizing subjugated peoples, he was also satirizing that world, celebrating some things while being wary of others, knowing the need for civilization while also knowing the costs and inevitable failures that accompany it. [Link]
I can't speak to whether this reading of Babar will be a productive one, as I haven't gone back to the books yet. But I'm looking forward to doing so. Real connoisseurs can pick up the show catalog, with Gopnick's essay, for $50 from the
Morgan Library and Museum. A hardcover edition of the six Babar stories by Jean de Brunhoff is
on sale on Amazon.com for $20, down from $30.
- Jeremiah